On Tour with La Dispute the Black Hole Symmetry is my go to noise-maker. I love that you have to reckon with the controls. Even if you have the manual in front of you, the BHS begs for experimentation. It makes it all the more exciting when you are making guitar textures in real time on stage. Also, let's be honest. The Disintegrate knob is the one I've been looking for all along!

I have been making a lot of music at home since we can't tour right now and have really dug into reamping certain sounds though my guitar pedals as a creative mixing tool. Using Singularity as a parallel process on kick and snare has helped create extra dimensions and excitement to my drums tracks.

I believe in the creative potential of the BHS and the careful craftsmanship of it's creators. Here is a noise-beat I made where every sound except drums was made with the BHS and my guitar. The drums themselves were, of course, run through singularity and disintegrated. Other than some slight stereo imaging done in my daw, the BHS is the only process on any audio in this track.

Image credit: Madie Ramser


Corey Stroffolino

The Black Hole Symmetry is amazing. I love the way the reverb, delay, modulation and fuzz interact with each other in unique an inspiring ways. It's the sort of pedal that surprises me every time I use it. It's great for guitar, but it's equally good for use with synths and even drum machines. It's never leaving my board. You'd have to prise it out of my dead hand. 

Mark Huckridge

I’m always interested in making my guitar not sound like a guitar. To do this,a huge part of my guitar tone is the interaction between fuzz, reverb and delay. Having all three in the BHS is something that works nicely and yields some great results. It can be quite subtle, but can also be blown out and works really well with the rest of my board. 

I also love the simplicity and the general design of the pedal. I’m useless at reading instructions but this pedal is inviting and intuitive to use. You can immediately get some great sounds out of it. 

We’ve also started using it on vocals quite a bit. The fuzz and reverb together with vocals sound excellent. It’s becoming a key pedal for the band.

Image credit : Mark McGuinness 

Alan Duggan

Collision devices is breaking new ground in the oversaturated world of boutique pedal building...unique refreshing ideas and artistic execution...well done lads!

Tom Bukovac 

I love the pedal, I've used it all over our new record - the sounds you can get out of it are super inspiring and really fun! 

Image credit: Adam Gasson/Future

Tom Peters

There’s so much to love and appreciate about this pedal, other than the creative and fun branding and overall concept. 
It really does feel like you’re diving into deep space, into a whole new realm of tonal possibilities! 
I love how you can get ethereal clean atmospheric sounds but also get into really dense fuzz territory as well. Love how all the parameters for fuzz, delay, and reverb are also easily controlled by themselves so making them interact with each other is very intuitive. 
The middle disintegration knob is so fun... it sounds like the floor beneath you is just crumbling away...
As someone who is views making music in a very visual way, this pedal with its lush versatile tones and unique conceptual design never fails to inspire me when I plug in.

Image credit: Daniel Gray

Corey Stroffolino

Mark Huckridge

Alan Duggan

Tom Bukovac

Tom Peters

Yvette Young

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